Prancer the Dancer
Image by Matt Crockett
Building a time machine in their bedroom, Prancer journeys to the future where they become a world famous star, Prancer the Dancer, and tear up the Blackpool Tower Ballroom with futuristic dance power. Come on the journey to find that confidence and in the process, revolutionise the world… Through the power of dance!
Emma directed Marlborough Productions’ joyous new piece of dance theatre for families and young audiences.
Celebrating movement, what dance moves are like in the future, how getting our bodies going could translate into renewable energy and seeing time travel as a useful exercise in confidence building. This is fun for all the family theatre, complete with next level dance moves and a smash hit disco party soundtrack!
Image Credits:
Photo by Matt Crockett.
Costume by Ryan Dawson Laight, constructed by Kingsley Hall.
Hair by Wig Chapel.
Makeup by Blü Romantic.
Photograph taken at Shoreditch Town Hall
Prancer the Dancer was commissioned by Marlborough Productions and Attenborough Centre for the Creative Arts with support from Shoreditch Town Hall and Cambridge Junction. A work in progress of Prancer the Dancer was originally commissioned by Fatt Projects in partnership with Cambridge Junction for ‘PALAVER’.
Galatea
images above by Kaleidoshoots from production in Brighton Festival
“I like well and allow it” - Venus
Act V, Sc III
Galatea was a large scale outdoor production that was performed as part of the Brighton Festival, 2023. info here
“Galatea is the story of a town that has been cursed.
They have forgotten how to love.
And the monster is coming…”
This was the first professional revival of the play which inspired Shakespeare to write As You Like It and A Midsummer Night's Dream. Last performed in front of Queen Elizabeth I, five hundred years ago, this tale of love, joy and the importance of welcoming outsiders is an incredibly resonant story for our modern times.
HISTORICAL SIGNIFICANCE
John Lyly was the most famous writer of Shakespeare’s lifetime, but is now Shakespeare’s only playwriting colleague never to have been professionally revived. Galatea had a particularly powerful effect over Shakespeare: it is the first Elizabethan comedy about cross-dressing, getting lost in a wood and falling in love with someone whose identity you do not fully understand!
‘Galatea’ by John Lyly, is an extraordinary 16th century play from the period before Shakespeare began writing. In close collaboration with Andy Kesson and his Before Shakespeare project, I led several periods of research & development, working with a diverse group of artists and performers to mount scenes and rehearse the text, gaining a closer understanding of a play that is not only extremely feminist and queer positive, but also contains a trans narrative.
Venus: Then shall it be seen that I can turn one of them to be a man, and that I will.Diana: Is it possible?
Venus: What is, to the Goddess of Love, unpossible? (5.3)
The more time I have spent with Galatea, the more I have discovered what it contains about gender fluidity and trans identities in this period The importance of these discoveries must not be understated. As LGBTQ people our histories are often erased or confounded to fit the narrative of a cis-normative, patriarchal society. The presence of such a high profile story as Galatea, a play well known and performed in front of Elizabeth I, should radically alter our attitude towards queer identity today.
The final production was supported by Arts Council England and AHRC, commissioned by Brrighton Festival and co-produced with Marlborough Productions and Wildworks.
ORIGINAL WORKSHOP IMAGES
Republica
“You know when you wait years to see a show and then you do and it is fireworks and bonfires, furious and loving and sorrowful and piercing and fierce, and beyond anything you spent all that time anticipating? Republica is that show. loved it."
maddy costa
In a fusion of anarchic theatre and dance, a flamenco dancer, a guitarist and a stripper reclaim the forgotten history of events preceding the Spanish Civil War.
With the rise in opposition between anti-austerity and far-right movements all over Europe and the UK, REPUBLICA is a timely examination of the last time a government dared to take power from the super-rich to distribute it equally amongst its people.
Made in collaboration with Keir Cooper, Carlos Otero and Lola Ruerda.
Cuncrete
Cuncrete is an act of deceptively sophisticated insurrection against the Man - in every sense. From the buildings the Man builds, to the language the Man uses, to the music the Man plays. It is also weepingly funny and dark and deadly. Of all the shows I saw in Edinburgh in 2016, it stands out as knowing what it’s about. And it’s about now. And it’s about time.
- Tim Crouch
A drag king punk gig about architecture and idealism!
A dysto-utopian noise about The Man!
A no-wave musical about how we ended up in this mess!
Hosted by washed up architect/proto-god figure Archibald Tactful and accompanied by anti-virtuoso punk band The Great White Males - Cuncrete is a gratuitously sleazy and joyfully noisy critique of alpha-masculinity and the built environment. Expect original music, grotesque posturing, sharp suits and cement.
“An exhilaratingly bleak swansong for the grey, hard dreams of powerful men." ★★★★
The Stage
“Politically vital... somewhere between a howl of rage and a rallying cry."
Exeunt
Created by Rachael Clerke, I worked closely as Dramaturg throughout the creation of this fantastic show.
https://www.rachaelclerke.com/Cuncrete
FILTER WORK BY:
PERFORMANCE // WRITING // VOICE WORK // WORKSHOPS // VISUAL ART // ACTING // DIRECTING // FILMS